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Title
Wordimage
SubTitle
lyric ekphrasis and subjectivity in the twenty-first century
Name (type = personal)
NamePart (type = family)
Keefe
NamePart (type = given)
Anne
NamePart (type = date)
1979-
DisplayForm
Anne Keefe
Role
RoleTerm (authority = RULIB)
author
Name (type = personal)
NamePart (type = family)
Doty
NamePart (type = given)
Mark
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Mark Doty
Affiliation
Advisory Committee
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chair
Name (type = personal)
NamePart (type = family)
Siegel
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Jonah
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Jonah Siegel
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Advisory Committee
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internal member
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Davidson
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Harriet
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Harriet Davidson
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Advisory Committee
Role
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internal member
Name (type = personal)
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Loizeaux
NamePart (type = given)
Elizabeth Bergmann
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Elizabeth Bergmann Loizeaux
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Advisory Committee
Role
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outside member
Name (type = corporate)
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Rutgers University
Role
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degree grantor
Name (type = corporate)
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Graduate School - New Brunswick
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school
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Text
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theses
OriginInfo
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2012
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2012-05
CopyrightDate (qualifier = exact)
2012
Place
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xx
Language
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eng
Abstract (type = abstract)
My dissertation challenges how we conceptualize the relationship between verbal and visual within the ekphrastic encounter. Beginning with the modernist lyrics of H.D. and Marianne Moore and extending to the contemporary poetry of Natasha Tretheway, Sharon Dolin, Siri Hustvedt, Mark Doty, and Mei-mei Berssenbrugge, I argue that the voice, form, and content of the ekphrastic lyric is a productive site for understanding the poetics of aesthetic politics. Dominant theories of ekphrasis such as the rivalry between the sister arts and models of confrontation between poet and painter foreclose on the possibilities of the mode as a political space in which the differences between word and image allow poets to engage in new ways with the solitary, embodied, and viewing lyric voice. While feminist and conceptual poetics have privileged the fragmented, multi-vocal poem as the most political form for negotiating subjectivity, my focus on more humanist lyrics engaging fixed forms and lyric selves illuminates an aesthetic for the 21st century in which modern problems connecting vision and identity such as the gaze, the loss of aura, the uncanny double, and viewer passivity, become transformed into opportunities for rethinking subjectivity and desire.
Subject (authority = RUETD)
Topic
Literatures in English
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Title
Rutgers University Electronic Theses and Dissertations
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ETD
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ETD_3919
PhysicalDescription
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electronic resource
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application/pdf
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text/xml
Extent
v, 211 p. : ill.
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Note (type = statement of responsibility)
by Anne Keefe
Subject (authority = ETD-LCSH)
Topic
Ekphrasis
Identifier (type = hdl)
http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065168
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TitleInfo
Title
Graduate School - New Brunswick Electronic Theses and Dissertations
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rucore19991600001
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NjNbRU
Identifier (type = doi)
doi:10.7282/T3TB15VN
Genre (authority = ExL-Esploro)
ETD doctoral
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Rights

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The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Keefe
GivenName
Anne
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (point = start); (qualifier = exact)
2012-04-12 09:23:25
AssociatedEntity
Name
Anne Keefe
Role
Copyright holder
Affiliation
Rutgers University. Graduate School - New Brunswick
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
RightsEvent
DateTime (encoding = w3cdtf); (point = start); (qualifier = exact)
2017-03-10
DateTime (encoding = w3cdtf); (point = end); (qualifier = exact)
2018-03-31
Type
Embargo
Detail
Access to this PDF has been restricted at the author's request. It will be publicly available after March 31, 2018.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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