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Le théâtre de l’immanence
Descriptive
TitleInfo
Title
Le théâtre de l’immanence
SubTitle
du poétique au politique dans l’oeuvre de Michel Vinaver
Name
(type = personal)
NamePart
(type = family)
Chemama
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Simon
NamePart
(type = date)
1981-
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Simon Chemama
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author
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Shaw
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Mary
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Mary Shaw
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Advisory Committee
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chair
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Naugrette
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Catherine
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Catherine Naugrette
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Advisory Committee
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co-chair
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NamePart
(type = family)
Schilling
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Derek
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Derek Schilling
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Advisory Committee
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internal member
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(type = family)
DANAN
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(type = given)
Joseph
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Joseph DANAN
Affiliation
Advisory Committee
Role
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(authority = RULIB)
outside member
Name
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NamePart
(type = family)
Declercq
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(type = given)
Gilles
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Gilles Declercq
Affiliation
Advisory Committee
Role
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(authority = RULIB)
outside member
Name
(type = personal)
NamePart
(type = family)
CHAPERON
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(type = given)
Danielle
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Danielle CHAPERON
Affiliation
Advisory Committee
Role
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outside member
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Rutgers University
Role
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(authority = RULIB)
degree grantor
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Graduate School - New Brunswick
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school
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Text
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theses
OriginInfo
DateCreated
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2013
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2013-01
Place
PlaceTerm
(type = code)
xx
Language
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(authority = ISO639-2b);
(type = code)
fre
Abstract
(type = abstract)
How can a work of art be politically efficient without being militant? Vinaver's answer to this question, formulated at the end of the 1940s, is unusual: the work will be political through its own materiality; its ideas will be immanent to the writing itself. But the playwright does not leave it at that and suggests that the true question can to be rephrased in even simpler terms: "how can a work of art be politically efficient?" ("militant" works of art can't be said to be really efficient, and if they are for a while, their action does not last for very long). My work has therefore been to examine the materiality of Vinaver's work. Its main principle is that of collage (juxtapositions and non-intentionality). A whole body of archives had to be closely looked at. And yet, why did Vinaver choose theater, and why did he stand by that choice? Specifically because, as a genre, theater allows the voice and the ideas of the author to be subdued. For 11 September 2001, Vinaver's last play, he no longer invented anything anymore but limited his work to cutting and pasting ; the author disappears behind the composer. This play is essential to the whole understanding of Vinaver's poetics -- this is where we find more collages and more poetry, more of the real and more of the ritual (the efficiency of his theater is notably expressed through the creation of a community, or a "society against the State"). The fact that the four comprehensive studies of his work (Ubersfeld, Elstob, Bradby et Gobler-Lingens) were published before 2001 was decisive in deciding to start and complete this PhD thesis.
Subject
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Topic
French
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TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier
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ETD
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ETD_4464
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electronic resource
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application/pdf
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text/xml
Extent
viii, 762 p.
Note
(type = degree)
Ph.D.
Note
(type = bibliography)
Includes bibliographical references
TitleInfo
(type = alternative)
Title
Theater of immanence
SubTitle
from poetry to politics in the work of Michel Vinaver
Note
(type = statement of responsibility)
by Simon Chemama
Subject
Name
(authority = LC-NAF)
NamePart
(type = personal)
Vinaver, Michel,--1927---Criticism and interpretation
Identifier
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http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000067758
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TitleInfo
Title
Graduate School - New Brunswick Electronic Theses and Dissertations
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rucore19991600001
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NjNbRU
Identifier
(type = doi)
doi:10.7282/T31J98GX
Genre
(authority = ExL-Esploro)
ETD doctoral
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Rights
RightsDeclaration
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The author owns the copyright to this work.
RightsHolder
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Name
FamilyName
Chemama
GivenName
Simon
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime
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(point = start);
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2013-01-02 15:53:25
AssociatedEntity
Name
Simon Chemama
Role
Copyright holder
Affiliation
Rutgers University. Graduate School - New Brunswick
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
RightsEvent
DateTime
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2014-03-17
DateTime
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2016-01-31
Type
Embargo
Detail
Access to this PDF has been restricted at the author's request. It will be publicly available after January 31, 2016
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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Technical
RULTechMD
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ContentModel
ETD
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windows xp
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