This dissertation examines the ceiling fresco of the Sala Bologna in the Vatican Palace commissioned by Pope Gregory XIII in 1575. Portrayed on the vault is an uninterrupted view of the entire celestial sphere with each constellation represented in allegorical form and accurately placed with relation to one another. Each aspect of the ceiling’s iconography is explored in detail, including the frieze of mythical gods and ancient astronomers painted in the curves of the vault below. I also consider the relationship between this celestial fresco and the terrestrial maps of Bologna painted on the lower walls of the room. Through an interpretation of the room as a single decorative program, I establish that the imagery of the Sala Bologna visually demonstrates Gregory XIII’s use of empiricism to further his Post-Tridentine goals of Catholic reform. Moreover, it is my belief that this ceiling asserts the temporal and spiritual claims of the Church in a language that anticipates the increasingly important role of empirical science for the seventeenth-century papacy. The second goal of this dissertation is to contextualize the astronomical ceiling of the Sala Bologna within the tradition of celestial iconography. Although individual astrological frescoes have been explored in previous scholarship, there has been no explanation for the popularity of this imagery in the Renaissance and Baroque periods. By discussing over thirty celestial murals, I highlight several major themes and provide insight into the motivation behind the commission of this type of decoration.
Subject (authority = RUETD)
Topic
Art History
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_4582
PhysicalDescription
Form (authority = gmd)
electronic resource
InternetMediaType
application/pdf
InternetMediaType
text/xml
Extent
xxvii, 526 p. : ill.
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Note (type = statement of responsibility)
by Emily Ann Urban
Subject (authority = ETD-LCSH)
Topic
Sala Bologna (Vatican Palace, Vatican City)
Subject
Name (authority = LC-NAF)
NamePart (type = personal)
Gregory--XIII,--Pope,--1502-1585--Art patronage
Subject (authority = ETD-LCSH)
Topic
Mural painting and decoration, Italian--Vatican City--16th century--Themes, motives
Subject (authority = ETD-LCSH)
Topic
Mural painting and decoration, Renaissance--Vatican City--Themes, motives
Rutgers University. Graduate School - New Brunswick
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Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.