Staff View
Deleuze and Russian film

Descriptive

TitleInfo
Title
Deleuze and Russian film
SubTitle
transcendental exercise of the faculties on (post-) totalitarian screen
Name (type = personal)
NamePart (type = family)
Toymentsev
NamePart (type = given)
Sergey
NamePart (type = date)
1976-
DisplayForm
Sergey Toymentsev
Role
RoleTerm (authority = RULIB)
author
Name (type = personal)
NamePart (type = family)
Parker
NamePart (type = given)
Andrew C
DisplayForm
Andrew C Parker
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
chair
Name (type = personal)
NamePart (type = family)
Bojanowska
NamePart (type = given)
Edyta M
DisplayForm
Edyta M Bojanowska
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
internal member
Name (type = personal)
NamePart (type = family)
Martin-Márquez
NamePart (type = given)
Susan
DisplayForm
Susan Martin-Márquez
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
internal member
Name (type = personal)
NamePart (type = family)
Dienst
NamePart (type = given)
Richard
DisplayForm
Richard Dienst
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
internal member
Name (type = corporate)
NamePart
Rutgers University
Role
RoleTerm (authority = RULIB)
degree grantor
Name (type = corporate)
NamePart
Graduate School - New Brunswick
Role
RoleTerm (authority = RULIB)
school
TypeOfResource
Text
Genre (authority = marcgt)
theses
OriginInfo
DateCreated (qualifier = exact)
2014
DateOther (qualifier = exact); (type = degree)
2014-10
CopyrightDate (encoding = w3cdtf)
2014
Place
PlaceTerm (type = code)
xx
Language
LanguageTerm (authority = ISO639-2b); (type = code)
eng
Abstract (type = abstract)
This dissertation provides a new philosophical periodization of Russian film history according to Gilles Deleuze’s Cinema volumes. Chapter One argues that Deleuze’s film-philosophy should not be disengaged from its larger metaphysical basis provided in his Difference and Repetition, since the latter structurally organizes his overall argument in Cinema volumes. I demonstrate that Deleuze’s reading of Euro-American cinema is framed according to his theory of the dynamic genesis modeled after the three syntheses of time and the doctrine of the faculties derived from Kant’s Critique of Pure Reason and Critique of Judgment: the first synthesis of the present provides the ground for the movement-image, the second synthesis of the past underlies the structure of the Bergsonian crystal-image, and the third synthesis of the future gives the way to the thought-image. Viewed in the context of Difference and Repetition, Deleuze’s Cinema project presents itself as a cinematic version of the epistemological progression of the image from matter to the virtual through the faculties of sensibility, memory and thought. Chapter Two contextualizes this progression within the historical evolution of Russian cinema. Given its long imprisonment within the doctrinal confines of socialist realism, Russian cinema begins its ascendance toward the virtual only after Stalin’s death in 1953, i.e. in the Thaw era when the Soviet action-image undergoes a definitive crisis. Chapter Three explores the second synthesis of time exemplified by Andrei Tarkovsky’s crystal-images. I argue that Tarkovsky’s emphasis on time and memory shares intrinsic affinity with Bergson’s philosophy and that his visual poetics of specular reciprocity could be explained as that of resonance between divergent film components. Chapter Four examines the emergence of the Soviet thought-image in Alexander Askoldov, Vadim Abdrashitov, Necrorealism and Alexander Sokurov, whose poetics follows the logic of the third disjunctive synthesis which foregrounds caesura between film components as the main principle of cinematic representation. In the light of such alternative genealogy, I argue that the historical coincidence of the collapse of the Soviet empire and the appearance of the thought-image in Russian cinema in the late 1980s testifies to the revolutionary potential of cinematic thinking promoted by Deleuze.
Subject (authority = RUETD)
Topic
Comparative Literature
Subject (authority = ETD-LCSH)
Topic
Motion pictures--Russia
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_5823
PhysicalDescription
Form (authority = gmd)
electronic resource
InternetMediaType
application/pdf
InternetMediaType
text/xml
Extent
1 online resource (ix, 288 p.)
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Note (type = statement of responsibility)
by Sergey Toymentsev
Subject
Name (authority = LC-NAF)
NamePart
Deleuze, Gilles, 1925-1995--Criticism and interpretation
RelatedItem (type = host)
TitleInfo
Title
Graduate School - New Brunswick Electronic Theses and Dissertations
Identifier (type = local)
rucore19991600001
Location
PhysicalLocation (authority = marcorg); (displayLabel = Rutgers, The State University of New Jersey)
NjNbRU
Identifier (type = doi)
doi:10.7282/T3RB7666
Genre (authority = ExL-Esploro)
ETD doctoral
Back to the top

Rights

RightsDeclaration (ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Toymentsev
GivenName
Sergey
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2014-09-09 20:44:15
AssociatedEntity
Name
Sergey Toymentsev
Role
Copyright holder
Affiliation
Rutgers University. Graduate School - New Brunswick
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
RightsEvent
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2014-10-31
DateTime (encoding = w3cdtf); (qualifier = exact); (point = end)
2016-10-30
Type
Embargo
Detail
Access to this PDF has been restricted at the author's request. It will be publicly available after October 30th, 2016.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
Back to the top

Technical

RULTechMD (ID = TECHNICAL1)
ContentModel
ETD
OperatingSystem (VERSION = 5.1)
windows xp
Back to the top
Version 8.5.5
Rutgers University Libraries - Copyright ©2024