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    <title>Henry Threadgill's Zooid</title>
    <dcterms:bibliographicCitation><![CDATA[Taylor, Chad E.. &lt;strong&gt;Henry Threadgill's Zooid. &lt;/strong&gt; Retrieved from &lt;a target="_blank" href="https://doi.org/doi:10.7282/T3N018FH"&gt;https://doi.org/doi:10.7282/T3N018FH&lt;/a&gt;]]></dcterms:bibliographicCitation>
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    <id>https://doi.org/doi:10.7282/T3N018FH</id>
    <author>
      <name>Taylor, Chad E.</name>
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    <published>2018-05-07T20:15:00-04:00</published>
    <summary>Henry Threadgill has led many innovative bands over the years. His  current band, Zooid, represents a culmination of decades of his musical  process as a composer. Although Threadgill’s music has been praised and  applauded, his compositional process has been an enigma.  ! This thesis will closely examine Henry Threadgill’s evolving techniques as  a composer and examine how his music exemplifies a jazz tradition that  challenges the paradigm of jazz being simply a genre of music. Jazz is also  a process. It is a synthesis of elements from many different cultures. Threadgill’s  music incorporates musical concepts that come from Europe, Africa, India, Cuba  and elsewhere. In addition, with Threadgill’s Zooid music, form itself becomes a  process of investigation and experimentation.  ! By examining Threadgill’s intervallic language, his use of modular form  and perception of metric rhythm, my goal is to help grow appreciation for  one of America’s jazz masters.</summary>
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