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Review: Representing the Good Neighbor: Music, Difference, and the Pan American Dream. By Carol A. Hess. New York: Oxford University Press, 2013. Sounds of War: Music in the United States during World War II. By Annegret Fauser. New York: Oxford University Press, 2013.

Descriptive

TitleInfo
Title
Review: Representing the Good Neighbor: Music, Difference, and the Pan American Dream. By Carol A. Hess. New York: Oxford University Press, 2013. Sounds of War: Music in the United States during World War II. By Annegret Fauser. New York: Oxford University Press, 2013.
Language
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English
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Review
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Accepted Manuscript (AM)
Subject (authority = LCSH)
Topic
Music--United States--Book reviews
Subject (authority = LCSH)
Topic
Music--Latin America
Subject (authority = LCSH)
Topic
Music and war
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application/pdf
Extent
6 p.
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NamePart (type = family)
Herrera
NamePart (type = given)
Eduardo
Affiliation
Music, Rutgers University
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author
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Mason Gross School of the Arts
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Music
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2016
Publisher
Society for American Music
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Citation
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2016
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Journal
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Journal of the Society for American Music
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10(1)
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https://dx.doi.org/10.1017/S1752196315000589
Detail
91-97
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Citation
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2013
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Book
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Representing the Good Neighbor: Music, Difference, and the Pan American Dream
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Hess, Carol A.
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Citation
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2013
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Fauser, Annegret
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Book
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Sounds of War: Music in the United States during World War II
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Abstract (type = abstract)
The two books reviewed here both contribute to our understanding of how transnational participation and negotiation are embedded in the classical music tradition of the United States. Hess shows us that the study of music in the Western classical tradition cannot escape its intrinsic cosmopolitanism and that transnational dialogues are actually central to its expressive and discursive universes. Fauser asks us to attend to musical practices beyond the concert hall and that may involve musical actors peripheral to grand narratives of music.
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Herrera, Eduardo
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rucore30193100001
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Identifier (type = doi)
doi:10.7282/T3WM1GGT
Genre (authority = ExL-Esploro)
Accepted Manuscript
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Rights

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Name
Society for American Music
Role
Copyright holder
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Permission or license
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Sole author license v. 1
Detail
I hereby grant to Rutgers, The State University of New Jersey (Rutgers) the non-exclusive right to retain, reproduce, and distribute the deposited work (Work) in whole or in part, in and from its electronic format, without fee. This agreement does not represent a transfer of copyright to Rutgers.Rutgers may make and keep more than one copy of the Work for purposes of security, backup, preservation, and access and may migrate the Work to any medium or format for the purpose of preservation and access in the future. Rutgers will not make any alteration, other than as allowed by this agreement, to the Work.I represent and warrant to Rutgers that the Work is my original work. I also represent that the Work does not, to the best of my knowledge, infringe or violate any rights of others.I further represent and warrant that I have obtained all necessary rights to permit Rutgers to reproduce and distribute the Work and that any third-party owned content is clearly identified and acknowledged within the Work.By granting this license, I acknowledge that I have read and agreed to the terms of this agreement and all related RUcore and Rutgers policies.
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Embargo
DateTime (point = start); (encoding = w3cdtf)
2016-02-02
DateTime (point = end); (encoding = w3cdtf)
2016-08-12
Detail
Access to this PDF has been restricted due to the policy of the publisher, Cambridge University Press, which requires a six month embargo from the date the article was published. The article in this repository will be publicly available after August 12, 2016
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Technical

RULTechMD (ID = TECHNICAL1)
ContentModel
Document
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