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Le corps, l'esprit et le langage dans l'Histoire comique de Francion de Charles Sorel

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TitleInfo
Title
Le corps, l'esprit et le langage dans l'Histoire comique de Francion de Charles Sorel
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Daniel
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Maren
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1984-
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Maren Daniel
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author
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Tamas
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Jennifer
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Jennifer Tamas
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Advisory Committee
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chair
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Cornilliat
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Francois
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Francois Cornilliat
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Advisory Committee
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internal member
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Pairet
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Ana
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Ana Pairet
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Advisory Committee
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internal member
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Merlin-Kajman
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Helene
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Helene Merlin-Kajman
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Advisory Committee
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outside member
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Rutgers University
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degree grantor
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School of Graduate Studies
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school
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Text
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theses
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2018
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2018-01
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2018
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xx
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eng
Abstract (type = abstract)
This dissertation examines the portrayal of characters who use language in unusual and therefore ridiculous ways in seventeenth-century French comedy. It takes Charles Sorel’s Histoire comique de Francion (1623-1633) as an example of the genre and seeks to explain why, in the decades surrounding the creation of the French Academy (1635), the body is the focal point for ridiculing characters who attempt to take control of the French language: what, if anything, does this type of ridicule reaveal about the nature of language and the ability to take control of it? The argument begins with a consideration of “naked” or “bare language,” a term coined by Hélène Merlin-Kajman – after Giorgio Agamben’s “bare life” – to refer to the first language that a child acquires from his nurse. It then discusses how both Sorel, in La Science universelle (1634-1668), his multi-volume work on natural philosophy, and the grammarian Claude Favre de Vaugelas (an original member of the Academy), in his Remarques sur la langue françoyse (1647), look for ways of refashioning “bare language” other than rhetorical ornament. For Vaugelas, such refashioning involves following the spontaneous norm established by usage, which he identifies as the “sovereign” of our tongues; for Sorel, it involves applying “la logique parlante,” or a mental logic not routinely found in discourse or in the spontaneous norm. The reader is led to believe that Francion, the novel’s title character, applies such logic well, while other characters such as the poet Musidore and the pedant Hortensius do not. Francion, gifted at seduction, is presented as being in a position to rewrite the rules of the French language successfully (and therefore in a supposedly unridiculous way) by controlling his interlocuters on a bodily level, thereby making them sensitive to the usages that they hear, similar to a nursling. Language, we see, is learned and produced in a context that is more bodily and grotesque than rational and self-conscious. In that sense, language is ultimately open to influence and impossible for anyone in particular to control. Appropriately, the novel never presents any proof that Francion succeeds in his endeavor, suggesting that he, like the others, is doomed to fail in his efforts to replace usage as the “sovereign” of the French language.
Subject (authority = RUETD)
Topic
French
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Title
Rutgers University Electronic Theses and Dissertations
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ETD
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ETD_8609
PhysicalDescription
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electronic resource
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application/pdf
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text/xml
Extent
1 online resource (v, 276 p.)
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Subject
Name (authority = LCNAF)
NamePart (type = personal)
Sorel, Charles, 1582?-1674
Note (type = statement of responsibility)
by Maren Daniel
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Title
School of Graduate Studies Electronic Theses and Dissertations
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rucore10001600001
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NjNbRU
Identifier (type = doi)
doi:10.7282/T36D5X6V
Genre (authority = ExL-Esploro)
ETD doctoral
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Rights

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The author owns the copyright to this work.
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Name
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Daniel
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Maren
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RightsEvent
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Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2018-01-03 13:03:12
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Maren Daniel
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Rutgers University. School of Graduate Studies
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Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
RightsEvent
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2018-01-31
DateTime (encoding = w3cdtf); (qualifier = exact); (point = end)
2020-01-31
Type
Embargo
Detail
Access to this PDF has been restricted at the author's request. It will be publicly available after January 31st, 2020.
Copyright
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Copyright protected
Availability
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Open
Reason
Permission or license
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