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Ornette Coleman and harmolodics

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TitleInfo
Title
Ornette Coleman and harmolodics
Name (type = personal)
NamePart (type = family)
Lavelle
NamePart (type = given)
Matt
NamePart (type = date)
1970-
DisplayForm
Matt Lavelle
Role
RoleTerm (authority = RULIB)
author
Name (type = personal)
NamePart (type = family)
Martin
NamePart (type = given)
Henry
DisplayForm
Henry Martin
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
chair
Name (type = corporate)
NamePart
Rutgers University
Role
RoleTerm (authority = RULIB)
degree grantor
Name (type = corporate)
NamePart
Graduate School - Newark
Role
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school
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Text
Genre (authority = marcgt)
theses
OriginInfo
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2019
DateOther (qualifier = exact); (type = degree)
2019-05
CopyrightDate (encoding = w3cdtf); (qualifier = exact)
2019
Language
LanguageTerm (authority = ISO 639-3:2007); (type = text)
English
Abstract (type = abstract)
Ornette Coleman stands as one of the most significant innovators in jazz history. The purpose of my thesis is to show where his innovations came from, how his music functions, and how it impacted other innovators around him. I also delved into the more controversial aspects of his music. At the core of his process was a very personal philosophical and musical theory he invented which he called Harmolodics. Harmolodics was derived from the music of Charlie Parker and Coleman’s need to challenge conventional Western music theory in pursuit of providing direct links between music, nature, and humanity. To build a foundation I research Coleman’s development prior to his famous debut at the Five Spot, focusing on evidence of a direct connection to Charlie Parker. I examine his use of instruments he played other than his primary use of the alto saxophone. His relationships with the piano, guitar, and the musicians that played them are then examined. I then research his use of the bass and drums, and the musicians that played them, so vital to his music. I follow with documentation of the string quartets, woodwind ensembles, and symphonic work, much of which was never recorded. I conclude with an examination of Coleman’s impact on other masters and a discussion of Harmolodics itself, followed by musical analysis.
Having studied with Coleman personally, I hope to bring some clarity to the actual function of his music. I have interviewed Dave Bryant, Denardo Coleman, and Kenny Wessel. In addition, for five years, I was in the band of guitarist Bern Nix (1947-2017) who played with Coleman from 1975-1987. Though a formal interview with Nix was scheduled before his death in 2017, I had discussed Coleman with Nix many times. My musical analysis includes investigation of Coleman’s composition titled “Kathelin Gray,” and in Section 1 part 3, my analysis of his improvisation on a Charlie Parker piece titled “Klactoveedsedstene.” I hope to show that Coleman’s music, while radical at the time, was steeped in a unique logic with the goal of opening doors to deeper levels of human expression, inside the context of seeking a deeper understanding of humanity overall
Subject (authority = RUETD)
Topic
Jazz History and Research
Subject (authority = LCSH)
Topic
Improvisation (Music)
Subject (authority = LCSH)
Topic
Jazz
Subject (authority = local)
Topic
Harmolodics
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_9865
PhysicalDescription
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application/pdf
InternetMediaType
text/xml
Extent
1 online resource (iv, 281 pages) : music
Note (type = degree)
M.A.
Note (type = bibliography)
Includes bibliographical references
Subject
Name (authority = LCNAF)
NamePart (type = personal)
Coleman, Ornette
Subject
Name (authority = LCNAF)
NamePart (type = personal)
Parker, Charlie, 1920-1955
RelatedItem (type = host)
TitleInfo
Title
Graduate School - Newark Electronic Theses and Dissertations
Identifier (type = local)
rucore10002600001
Location
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NjNbRU
Identifier (type = doi)
doi:10.7282/t3-tr0t-y005
Genre (authority = ExL-Esploro)
ETD graduate
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Rights

RightsDeclaration (ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Lavelle
GivenName
Matt
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2019-04-14 15:37:36
AssociatedEntity
Name
Matthew Lavelle
Role
Copyright holder
Affiliation
Rutgers University. Graduate School - Newark
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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Technical

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DateCreated (point = end); (encoding = w3cdtf); (qualifier = exact)
2019-04-28T12:09:32
DateCreated (point = end); (encoding = w3cdtf); (qualifier = exact)
2019-04-28T12:09:32
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