LanguageTerm (authority = ISO 639-3:2007); (type = text)
English
Abstract (type = abstract)
This dissertation examines the photography made by South Korean photographers, focusing on the medium’s relationship to the political and societal changes that have been occurring in and around the country that started in the late 1980s. Focusing on art photography that took various formats from documentary to the performative, encompassing the staged, portraits, and snapshots, the dissertation addresses the development of a medium that is intertwined with the transformation of Korean society. Represented with democratization and globalization, South Korea reorganized its political system and opened its doors to the world in this era. This dissertation argues that the transformation of contemporary Korean art photography is not only a reflection of this essential reconstruction of the nation’s identity, but that of the medium itself, with its performative nature, mediated the process. The exploration starts from the early practices of the mid-20th century Korean photography and moves on to the thematic discussions of how contemporary photography addressed the key issues that mark the transition.
When the long history of military dictatorship ended in the late 1980s and democracy arrived in Korea, the nation reestablished its identity by declaring a break from the past, refashioning its history, and building new relationships with other countries, including North Korea. This dissertation argues that the history of Korean photography parallels these shifts. Unlike in the past, when photographers had limited choices regarding what they could depict and had limited photographic models to refer to, contemporary photographers, with newly obtained freedom and various photographic languages, revisited the repressed history, reinterpreted official history, and deconstructed it according to the changed socio-political climate. As the state-led globalization positioned Korean identity into the international context, Korean photography too went through the process of challenging the preexisting notions and striving to position itself in global photography.
Fully incorporating the social, political, and cultural history of Korea and the surrounding international contexts, this dissertation takes an interdisciplinary approach in articulating the history of the nation’s photography. With an emphasis on a need to contextualize artistic practices into its society, it improves the understanding of contemporary Korea and its photographic practices.
Subject (authority = local)
Topic
Contemporary Korean photography
Subject (authority = RUETD)
Topic
Art History
Subject (authority = LCSH)
Topic
Photography -- South Korea -- Political aspects
Subject (authority = LCSH)
Topic
Photography -- South Korea -- Social aspects
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.