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Jazz improvisation pedagogy: evaluating the effectiveness of a beginning jazz improvisation learning environment for middle school instrumentalists

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TitleInfo
Title
Jazz improvisation pedagogy: evaluating the effectiveness of a beginning jazz improvisation learning environment for middle school instrumentalists
Name (type = personal)
NamePart (type = family)
Marino
NamePart (type = given)
Sara E.
NamePart (type = date)
1978-
DisplayForm
Sara E. Marino
Role
RoleTerm (authority = RULIB)
author
Name (type = personal)
NamePart (type = family)
Chinn
NamePart (type = given)
Clark A.
DisplayForm
Clark A. Chinn
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
chair
Name (type = personal)
NamePart (type = family)
O'Donnell
NamePart (type = given)
Angela M.
DisplayForm
Angela M. O'Donnell
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
internal member
Name (type = personal)
NamePart (type = family)
Cronenberg
NamePart (type = given)
Stephanie
DisplayForm
Stephanie Cronenberg
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
outside member
Name (type = corporate)
NamePart
Rutgers University
Role
RoleTerm (authority = RULIB)
degree grantor
Name (type = corporate)
NamePart
Graduate School of Education
Role
RoleTerm (authority = RULIB)
school
TypeOfResource
Text
Genre (authority = marcgt)
theses
OriginInfo
DateCreated (encoding = w3cdtf); (qualifier = exact)
2019
DateOther (encoding = w3cdtf); (qualifier = exact); (type = degree)
2019-05
CopyrightDate (encoding = w3cdtf); (qualifier = exact)
2019
Language
LanguageTerm (authority = ISO 639-3:2007); (type = text)
English
Abstract
In the last century, the practice of improvisation has distinguished jazz and set it apart from other musical genres and their performance practices (Azzara, 2002; Coker, 1978). Despite available resources, improvisation’s role in the National Core Arts Standards (NCCAS, 2014), and jazz’s significance in school music programs (Azzara, 2002; Sarath, 2002; Watson, 2010), inconsistencies in music improvisation education have persisted. To explain deficiencies in improvisation education, researchers have proposed a lack of teacher experience (Alexander, 2012; Azzara, 1999) and a need for greater pre-service teacher preparation (Watson, 2010; West, 2015). Educators and music students may therefore benefit from research-based best practices for teaching jazz improvisation. Existing research has studied the effectiveness of jazz improvisation instruction in general (e.g., Bash, 1983; Coy, 1989; Watson, 2010) and which personal characteristics predict positive outcomes (e.g., Ciorba, 2009; Madura, 1996; May, 2003). Future research should investigate which methods are most effective (Azzara, 2002; Bowman, 1988; May, 2003) and at which stages of musical development (Azzara, 2002; Bowman, 1988; Kratus, 1995). The purpose of this design-based, sequential explanatory mixed methods study, was to investigate if and how four critical features of a beginning jazz improvisation learning environment affected outcomes for middle school instrumentalists, including whether one of two instructional sequences better supported outcomes. The learning environment was designed to support achievement, self-assessment, self-efficacy, and motivation outcomes. Over 12 weeks, 5th-8th grade instrumentalists (n=43) at two sites studied jazz improvisation in 6 jazz combos, which were divided into Groups A and B. The design features of the learning environment were consistent between groups; the two conditions differed by harmonic form instructional sequences. Quantitative data for all outcomes was collected pre-, mid-, and post-instruction, and all instruction was video recorded. Primary findings showed: (a) a significant effect on all measured outcomes over time, not only for the 12-week duration of the instructional period but even in the first 6 weeks; (b) no significant differences between conditions for any outcomes; (c) a significant interaction between assessed task and achievement; (d) minimal significant relationships among outcomes; (e) evidence of how design features acted as sources of positive outcomes.
Subject (authority = local)
Topic
Jazz improvisation
Subject (authority = RUETD)
Topic
Design of Learning Contexts
Subject (authority = ETD-LCSH)
Topic
Improvisation (Music) -- Study and teaching
Subject (authority = ETD-LCSH)
Topic
Middle schools
Subject (authority = ETD-LCSH)
Topic
Jazz -- Study and teaching
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_9879
PhysicalDescription
Form (authority = gmd)
InternetMediaType
application/pdf
InternetMediaType
text/xml
Extent
1 online resource (xiii, 281 pages) : illustrations
Note (type = degree)
Ed.D.
Note (type = bibliography)
Includes bibliographical references
RelatedItem (type = host)
TitleInfo
Title
Graduate School of Education Electronic Theses and Dissertations
Identifier (type = local)
rucore10001500001
Location
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NjNbRU
Identifier (type = doi)
doi:10.7282/t3-g5h9-fz68
Genre (authority = ExL-Esploro)
ETD doctoral
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Rights

RightsDeclaration (ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Marino
GivenName
Sara
MiddleName
E.
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2019-04-16 16:19:30
AssociatedEntity
Name
Sara E. Marino
Role
Copyright holder
Affiliation
Rutgers University. Graduate School of Education
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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Technical

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ETD
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windows xp
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1.7
DateCreated (point = end); (encoding = w3cdtf); (qualifier = exact)
2019-04-18T03:26:08
DateCreated (point = end); (encoding = w3cdtf); (qualifier = exact)
2019-04-18T03:26:08
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