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The decolonial project of Alfredo Jaar

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TitleInfo
Title
The decolonial project of Alfredo Jaar
Name (type = personal)
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San Martin
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Florencia
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1982-
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Florencia San Martin
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author
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Flores
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Tatiana E.
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Tatiana E. Flores
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Advisory Committee
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chair
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Zervigon
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Andres Mario
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Andres Mario Zervigon
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Advisory Committee
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internal member
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Sharp
NamePart (type = given)
Jane Ashton
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Jane Ashton Sharp
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Advisory Committee
Role
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internal member
Name (type = personal)
NamePart (type = family)
Ramos
NamePart (type = given)
E. Carmen
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E. Carmen Ramos
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Advisory Committee
Role
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outside member
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Rutgers University
Role
RoleTerm (authority = RULIB)
degree grantor
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School of Graduate Studies
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school
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Text
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theses
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2019
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2019-05
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2019
Language
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English
Abstract (type = abstract)
This dissertation reframes the art of Alfredo Jaar (b. Santiago, Chile, 1956; New York-based since 1982) through the lens of decolonial thought. Decoloniality is a post-continental philosophical system that regards colonialism as a fundamental element in the formation of the modern capitalist world system which began with European expansion in the Americas in the 16th century. A way of doing, thinking, and being, decoloniality posits that decolonization is an incomplete but urgent, necessary, and ethical imperative. I argue that Jaar’s art overall is itself a decolonial project whose aim is to identify and to challenge the inherently hierarchical relationships of our modern capitalist world system. Relying on archival research, personal interviews, and a transdisciplinary approach to contemporary art history, I propose that at the core of Jaar’s practice is a decolonial critique of the catastrophic humanitarian and epistemological consequences of neoliberalism, a capitalist economic project and ideological outlook that defines our present moment. This was particularly significant during the Chilean civic-military dictatorship (1973-1990) when Jaar was coming of age as an artist. While this dissertation examines main themes and concerns in Jaar’s art since his earliest series of works in 1974 to the present, it centers particularly in his work made in the early 1980s New York, since it was in this specific time and space that Jaar developed the main lines of inquiry of his practice.
In examining Jaar’s critique of the enmeshed relationship between neoliberalism and coloniality, this dissertation also unearths an important hemispheric, anti-imperialist, and solidarity genealogy around Latin America whose epicenter was New York in the 1970s and 1980s. In an era where right-wing dictatorships have yielded to failed socialist states in Latin America, this dissertation provides a fresh and timely understanding of both Jaar’s art and the contemporary situation of the Americas. It is relevant for furthering the understanding of Latin American and American art as hemispheric and transdisciplinary fields, critiquing the discourse on globalization and global contemporary art, considering the relationship between art and politics and art and ethics, and contributing to the field of memory studies in Latin America.
Subject (authority = RUETD)
Topic
Art History
Subject (authority = LCSH)
Topic
Decolonization in art
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Rutgers University Electronic Theses and Dissertations
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ETD_9828
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application/pdf
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text/xml
Extent
1 online resource (xviii, 331 pages) : illustrations
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Subject
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NamePart (type = personal)
Jaar, Alfredo -- Criticism and interpretation
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School of Graduate Studies Electronic Theses and Dissertations
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rucore10001600001
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Identifier (type = doi)
doi:10.7282/t3-2kqv-bm79
Genre (authority = ExL-Esploro)
ETD doctoral
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Rights

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The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
San Martin
GivenName
Florencia
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (point = start); (qualifier = exact)
2019-04-12 14:36:49
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Name
Florencia San Martin
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Affiliation
Rutgers University. School of Graduate Studies
AssociatedObject
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License
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Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
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Type
Embargo
DateTime (encoding = w3cdtf); (point = start); (qualifier = exact)
2021-04-21
DateTime (encoding = w3cdtf); (point = end); (qualifier = exact)
2025-05-31
Detail
Access to this PDF has been restricted at the author's request. It will be publicly available after May 31, 2025.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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DateCreated (point = end); (encoding = w3cdtf); (qualifier = exact)
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