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Egyptian-French encounters: art and national identity 1867-1928

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TitleInfo
Title
Egyptian-French encounters: art and national identity 1867-1928
Name (type = personal)
NamePart (type = family)
Nour-Elsayed
NamePart (type = given)
Alia
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Alia Nour-Elsayed
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RoleTerm (authority = RULIB)
author
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NamePart (type = family)
Sidlauskas
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Susan
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Susan Sidlauskas
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Advisory Committee
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chair
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Zervigon
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Andres
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Andres Zervigon
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Advisory Committee
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internal member
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Sears
NamePart (type = given)
Tamara
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Tamara Sears
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Advisory Committee
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internal member
Name (type = personal)
NamePart (type = family)
ten-Doesschate Chu
NamePart (type = given)
Petra
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Petra ten-Doesschate Chu
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
outside member
Name (type = corporate)
NamePart
Rutgers University
Role
RoleTerm (authority = RULIB)
degree grantor
Name (type = corporate)
NamePart
School of Graduate Studies
Role
RoleTerm (authority = RULIB)
school
TypeOfResource
Text
Genre (authority = marcgt)
theses
OriginInfo
DateCreated (encoding = w3cdtf); (keyDate = yes); (qualifier = exact)
2020
DateOther (encoding = w3cdtf); (qualifier = exact); (type = degree)
2020-05
CopyrightDate (encoding = w3cdtf); (qualifier = exact)
2020
Language
LanguageTerm (authority = ISO 639-3:2007); (type = text)
English
Abstract (type = abstract)
This dissertation explores the complex dynamic of Egyptian-French encounters between 1867 and 1928, focusing on how the Egyptians — ruling elite and nationalists— used and adapted European traditions for visual representation to serve their own ends. It consists of four case studies—those of the Egyptian exhibition at the Exposition Universelle of 1867 in Paris, the opening of the Suez Canal inauguration in 1869, the commemoration of the Khedivial dynasty with public monuments, and the evolving images of the Egyptian female peasant or fallaha from French costume book in the nineteenth century to a symbol of the Egyptian nation in the early twentieth century. These case studies reveal several recurring themes. First, art was a major vehicle for propaganda, projecting a political message, and later symbolizing Egypt’s modern identity. Second, Egyptian-French encounters were embedded in a complex web of mutual interests, with an audible Egyptian voice. Third, some of the Egyptians and French citizens who crossed borders came to have a dual orientation, and thus became a “hyphen” linking the East and West.
Subject (authority = local)
Topic
Art
Subject (authority = local)
Topic
Cultural encounters
Subject (authority = local)
Topic
National identity
Subject (authority = RUETD)
Topic
Art History
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_10639
PhysicalDescription
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application/pdf
InternetMediaType
text/xml
Extent
1 online resource (xvi, 223 pages) : illustrations
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Subject (authority = lcsh/lcnaf)
Geographic
Egypt
Subject (authority = lcsh/lcnaf)
Geographic
France
RelatedItem (type = host)
TitleInfo
Title
School of Graduate Studies Electronic Theses and Dissertations
Identifier (type = local)
rucore10001600001
Location
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NjNbRU
Identifier (type = doi)
doi:10.7282/t3-fbkb-bm58
Genre (authority = ExL-Esploro)
ETD doctoral
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RightsDeclaration (ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Nour-Elsayed
GivenName
Alia
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2020-03-24 12:26:35
AssociatedEntity
Name
Alia Nour-Elsayed
Role
Copyright holder
Affiliation
Rutgers University. School of Graduate Studies
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
RightsEvent
Type
Embargo
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2020-05-31
DateTime (encoding = w3cdtf); (qualifier = exact); (point = end)
2022-05-31
Detail
Access to this PDF has been restricted at the author's request. It will be publicly available after May 31st, 2022.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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