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Making the resistance French: bureaucracy, memory, and space in postwar Marseille

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TitleInfo
Title
Making the resistance French: bureaucracy, memory, and space in postwar Marseille
Name (type = personal)
NamePart (type = family)
Buck
NamePart (type = given)
Julia A.
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Julia A. Buck
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author
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Judith
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Judith Surkis
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Advisory Committee
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chair
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Yael
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Yael Zerubavel
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Advisory Committee
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internal member
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Kaplan
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Temma
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Temma Kaplan
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Advisory Committee
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internal member
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Rousso
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Henry
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Henry Rousso
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Advisory Committee
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outside member
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Rutgers University
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degree grantor
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School of Graduate Studies
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Text
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theses
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ETD doctoral
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2021
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2021-05
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2021
Language
LanguageTerm (authority = ISO 639-3:2007); (type = text)
English
Abstract (type = abstract)
This dissertation examines postwar state recognition of resistance during the Second World War in France from below and the margins. It focuses on the postwar commemorative politics regarding the resistance and liberation of the Mediterranean port city of Marseille, a place with a long history of challenging French universalist claims. To understand how state power and national belonging was instantiated locally, I analyze the bureaucracy that arose in postwar France from laws establishing an official definition of resistance as well as a formal process for applicants to prove past involvement in wartime underground movements that left virtually no records of membership. One such category was the combattant volontaire de la RĂ©sistance (CVR). The resulting bureaucratic encounters also played an important, if ambivalent, role in the consolidation of state power during the Cold War and decolonization, as a means of bringing local commemorative cultures in line with dominant French narratives and coopting potentially threatening political actors. However, instead of putting commemorative conflict to rest, the state opened up a new battlefield regarding the memory of anti-Nazi resistance both within and in rejection of the applications for official recognition. Contradictions and disputes arose regarding the status of colonial soldiers in official commemoration of the war, as did the question of how to distinguish between "true" and "fake" resistance in the wartime underground. The very administrative framework that sought to erase their involvement actually preserved the stories of many people who otherwise left few archival traces. Furthermore, the state commemorative narratives helped provoke a vibrant commemorative counterculture. This critical re-reading of French bureaucratic sources has far-reaching implications for how historians of the Second World War might approach this major archive, for understanding the uneven geographies of state power, and how to think about commemoration with and beyond the nation-state. Furthermore, it seeks to recover the political possibilities and challenges of a heterogeneous antifascist movement that was only made in France's image after the fact.
Subject (authority = RUETD)
Topic
History
Subject (authority = local)
Topic
Marseille
Subject (authority = LCSH)
Topic
World War, 1939-1945 -- Underground movements -- France -- Marseille
RelatedItem (type = host)
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Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_11666
PhysicalDescription
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application/pdf
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text/xml
Extent
1 online resource (xi, 283 pages) : illustrations
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Subject (authority = lcsh/lcnaf)
Geographic
Marseille (France) -- History -- 20th Century
RelatedItem (type = host)
TitleInfo
Title
School of Graduate Studies Electronic Theses and Dissertations
Identifier (type = local)
rucore10001600001
Location
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NjNbRU
Identifier (type = doi)
doi:10.7282/t3-7507-5b52
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Rights

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The author owns the copyright to this work.
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Buck
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Julia
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Permission or license
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2021-04-01 15:25:44
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Julia Buck
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Rutgers University. School of Graduate Studies
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Author Agreement License
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I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
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Copyright protected
Availability
Status
Open
Reason
Permission or license
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