Description
TitleChauncey Morehouse oral history interview
IntervieweeMorehouse, Chauncey
InterviewerHutto, Ed
InterviewerKline, Jerry
Date Created1978
Genreoral histories
Genreinterviews
Note(s)Born March 11, 1902, Chauncey Morehouse was primarily a drummer during his musical career and is considered one of the most technically skilled percussionists of his era. Becoming active in the jazz scene in the 1920s, Morehouse turned to studio work in 1929 and made a name for himself in TV and radio over the next 40 years. Later in his career he was all but forgotten by anyone other than jazz historians, though he would perform at jazz festivals into the 1970s. Morehouse died November 3, 1980.
Note(s)Tape of interview with Ed Hutto (transcript pages 2-38) not located.
Table of ContentsPage numbers here indicate page numbers for "Read Online" interface. Page numbers listed on transcripts may differ.
no tape...pp. 2-39
Tape 1 Side 1...pp. 40-83
Tape 1 Side 2...pp. 83,81,84-126
Tape 2 Side 1...pp. 127-162
Tape 2 Side 2...pp. 162-164
CollectionJazz Oral History Project
Organization NameRutgers University. Institute of Jazz Studies, Rutgers University. Institute of Jazz Studies
RightsThe Rutgers University Institute of Jazz Studies (IJS) promotes the use of its collections, and strives to protect the integrity of its materials. We offer digital reproductions of IJS materials subject to U.S. copyright law and other legal obligations.
NOTICE OF WARNING CONCERNING COPYRIGHT RESTRICTIONS
The copyright law of the United States (Title 17, US Code) governs the reproduction of copyrighted material.
Under certain conditions specified in the law, libraries and archives are authorized to furnish photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not “to be used for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement.
Materials viewed by patrons online or supplied to patrons online are reference copies. Our supply of copies does not constitute copyright permission for further uses and is not an authorization for any further uses involving reproduction, distribution, display, performance, or creation of derivative works, including their use in publications and web sites. It’s the patron’s responsibility to obtain permissions that may be required to use works for purposes other than private study, scholarship, or research, or in excess of fair use.
Statistical Profile