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"Compendious extracts of strange and memorable things": sixteenth-century compilations and the new world

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"Compendious extracts of strange and memorable things": sixteenth-century compilations and the new world
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Sixteenth-century compilations and the new world
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Young
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Sandra M. (Sandra Michele)
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Sandra M. Young
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Jehlen
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Myra
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Advisory Committee
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Myra Jehlen
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chair
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McKeon
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Michael
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Advisory Committee
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Michael McKeon
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Warner
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Michael
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Advisory Committee
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Michael Warner
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Schalkwyk
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David
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Advisory Committee
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David Schalkwyk
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Rutgers University
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degree grantor
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Graduate School - New Brunswick
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theses
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2008
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2008-01
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English
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electronic
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vi, 245 pages
Abstract
The sixteenth-century compilation's encyclopaedic scope embraced widely diverse texts in accounting for the newly expanded world. I examine its representational methods for what they suggest of the period's habits of thought, and consider how these shape objects of knowledge. Michel Foucault's methodological tools facilitate a critique of epistemological constructions, but his characterizations of the sixteenth-century compilation as condemned "to never knowing anything but the same thing" do not adequately account for its contested meanings and shifts in form. I consider how Martin Waldseemüller deftly arranges disparate texts to authorize Vespucci's account of the New World and his map, announcing "America," managing the unsettling discrepancies between received knowledge and new ways of describing the world.
Compilations instructing in the "arte" of navigation (Taisnier, Cortés) invoke the mathematical number's abstractions in the face of shifting landscapes, demonstrating that "knowing" is caught up with "doing." I caution against reading backwards through imperial history, assuming epistemological certainties. In Sebastian Münster's Treatyse of the Newe India, the presence of human subjects troubles cosmographical certainties, while also providing objects of curiosity for natural history. The possibilities of knowing become both troubled and enabled through encounter, evident also in Cabot's instructions to explorers. I analyze relational terms (novel, ancient, strange, monstrous, "our," beastly, peculiar, gentle, humane, barbarous, infidel), as the basis of Europe's identifications. Richard Hakluyt's early compilations, Divers voyages and Principall Navigations, create the possibility of a nation-specific imperial identity, through the gathering of texts.
Close reading does not always bear out the rigidly temporal shifts identified by critics. While firsthand "experience" and "novelty" carry cachet, texts flaunting their novelty often echo existing texts. The ancients' authority remains an oft-cited method of authorizing disputed material, alongside methods considered new -- the mathematical number, instrumentation to measure the world, diagrammatic forms of representation (maps, astronomical charts) and narrative eye-witness accounts. The powerful critical methods of revisionist analysis warrant a recognition of the inevitably provisional nature of these abstractions and particularized investigations. Today as in the past, what we "know" to be "true" is a function of our institutional and political context. The coherence of our insights is always, inevitably, open to question.
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references (p. 234-243).
Subject (ID = SUBJ1); (authority = RUETD)
Topic
Literatures in English
Subject (ID = SUBJ2); (authority = ETD-LCSH)
Topic
Encyclopedias and dictionaries--16th century--History and criticism
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Graduate School - New Brunswick Electronic Theses and Dissertations
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rucore19991600001
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http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17238
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ETD_603
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Identifier (type = doi)
doi:10.7282/T31C1X7W
Genre (authority = ExL-Esploro)
ETD doctoral
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Sandra Young
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Rutgers University. Graduate School - New Brunswick
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I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
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