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Revenge is a dish best served on a broken plate
Descriptive
TitleInfo
Title
Revenge is a dish best served on a broken plate
SubTitle
the enfant terrible in Igor Stravinsky and Arnold Schoenberg
Name
(type = personal)
NamePart
(type = family)
Gabrielsen
NamePart
(type = given)
Dag
DisplayForm
Dag Gabrielsen
Role
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(authority = RULIB)
author
Name
(type = personal)
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(type = family)
Chrisman
NamePart
(type = given)
Richard
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Richard Chrisman
Affiliation
Advisory Committee
Role
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(authority = RULIB)
chair
Name
(type = personal)
NamePart
(type = family)
Fussell
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(type = given)
Charles
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Charles Fussell
Affiliation
Advisory Committee
Role
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(authority = RULIB)
internal member
Name
(type = personal)
NamePart
(type = family)
Chenoweth
NamePart
(type = given)
Gerald
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Gerald Chenoweth
Affiliation
Advisory Committee
Role
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(authority = RULIB)
internal member
Name
(type = personal)
NamePart
(type = family)
Burke
NamePart
(type = given)
Richard
DisplayForm
Richard Burke
Affiliation
Advisory Committee
Role
RoleTerm
(authority = RULIB)
outside member
Name
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NamePart
Rutgers University
Role
RoleTerm
(authority = RULIB)
degree grantor
Name
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NamePart
Graduate School - New Brunswick
Role
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(authority = RULIB)
school
TypeOfResource
Text
Genre
(authority = marcgt)
theses
OriginInfo
DateCreated
(qualifier = exact)
2012
DateOther
(qualifier = exact);
(type = degree)
2012-05
Place
PlaceTerm
(type = code)
xx
Language
LanguageTerm
(authority = ISO639-2b);
(type = code)
eng
Subject
(authority = RUETD)
Topic
Music
RelatedItem
(type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier
(type = RULIB)
ETD
Identifier
ETD_3937
PhysicalDescription
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electronic resource
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application/pdf
InternetMediaType
text/xml
Extent
vii, 93 p. : ill.
Note
(type = degree)
Ph.D.
Note
(type = bibliography)
Includes bibliographical references
Note
(type = statement of responsibility)
by Dag Gabrielsen
Abstract
(type = abstract)
Does an artist create in a vacuum or is there more at stake in a work’s
production than art for art’s sake? A great deal has been written about The Rite
of Spring by Igor Stravinsky and the atonal works of Arnold Schoenberg, much of
which has depicted their works as autonomous objects – objects that embodied
an inevitable step in a natural evolution of Western art music. This essay
reconsiders these works not as the product of Hegelian evolution, but as social
acts of symbolic violence against cultural establishments in Saint Petersburg and
Vienna by two remarkably similar personalities. Following an overview of their
social and professional development, this essay considers primary sources on
Stravinsky and Schoenberg in light of recent psychological research on identity.
The system of sign and myth outlined by semiologist Roland Barthes is then
brought to bear on Stravinsky’s Rite and Schoenberg’s Erwartung to further
analyze conservative versus radical reception of these works. The essay concludes with a discussion of the concepts of cultural capital, symbolic violence and collective misrecognition proposed by the sociologist Pierre Bourdieu as they relate to theoretical and historical writing on Stravinsky and Schoenberg later in the twentieth-century.
production than art for art’s sake? A great deal has been written about The Rite
of Spring by Igor Stravinsky and the atonal works of Arnold Schoenberg, much of
which has depicted their works as autonomous objects – objects that embodied
an inevitable step in a natural evolution of Western art music. This essay
reconsiders these works not as the product of Hegelian evolution, but as social
acts of symbolic violence against cultural establishments in Saint Petersburg and
Vienna by two remarkably similar personalities. Following an overview of their
social and professional development, this essay considers primary sources on
Stravinsky and Schoenberg in light of recent psychological research on identity.
The system of sign and myth outlined by semiologist Roland Barthes is then
brought to bear on Stravinsky’s Rite and Schoenberg’s Erwartung to further
analyze conservative versus radical reception of these works. The essay concludes with a discussion of the concepts of cultural capital, symbolic violence and collective misrecognition proposed by the sociologist Pierre Bourdieu as they relate to theoretical and historical writing on Stravinsky and Schoenberg later in the twentieth-century.
Subject
Name
(authority = LC-NAF)
NamePart
(type = personal)
Stravinsky, Igor,--1882-1971.--Vesna svi͡ashchennai͡a
Subject
Name
(authority = LC-NAF)
NamePart
(type = personal)
Schoenberg, Arnold,--1874-1951--Criticism and interpretation
Subject
Name
(authority = LC-NAF)
NamePart
(type = personal)
Stravinsky, Igor,--1882-1971--Criticism and interpretation
Subject
(authority = ETD-LCSH)
Topic
Identity politics
Subject
Name
(authority = LC-NAF)
NamePart
(type = personal)
Bourdieu, Pierre,--1930-2002--Criticism and interpretation
Identifier
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http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065140
RelatedItem
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TitleInfo
Title
Graduate School - New Brunswick Electronic Theses and Dissertations
Identifier
(type = local)
rucore19991600001
Location
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(authority = marcorg);
(displayLabel = Rutgers, The State University of New Jersey)
NjNbRU
Identifier
(type = doi)
doi:10.7282/T3JS9PCM
Genre
(authority = ExL-Esploro)
ETD doctoral
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Rights
RightsDeclaration
(ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder
(type = personal)
Name
FamilyName
Gabrielsen
GivenName
Dag
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime
(encoding = w3cdtf);
(qualifier = exact);
(point = start)
2012-04-15 13:16:11
AssociatedEntity
Name
Dag Gabrielsen
Role
Copyright holder
Affiliation
Rutgers University. Graduate School - New Brunswick
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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Technical
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