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Stasis in music and the formation of musical states and A portrait of an infant (on coming into being)
Descriptive
TitleInfo
Title
Stasis in music and the formation of musical states and A portrait of an infant (on coming into being)
TitleInfo
(type = alternative)
Title
Portrait of an infant (on coming into being)
Name
(type = personal)
NamePart
(type = family)
Woodward
NamePart
(type = given)
Craig Healey
NamePart
(type = date)
1978-
DisplayForm
Craig Woodward
Role
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(authority = RULIB)
author
Name
(type = personal)
NamePart
(type = family)
Chenoweth
NamePart
(type = given)
Gerald
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Gerald Chenoweth
Affiliation
Advisory Committee
Role
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chair
Name
(type = personal)
NamePart
(type = family)
Doll
NamePart
(type = given)
Christopher
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Christopher Doll
Affiliation
Advisory Committee
Role
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(authority = RULIB)
internal member
Name
(type = personal)
NamePart
(type = family)
Chrisman
NamePart
(type = given)
Richard
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Richard Chrisman
Affiliation
Advisory Committee
Role
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(authority = RULIB)
internal member
Name
(type = personal)
NamePart
(type = family)
Füting
NamePart
(type = given)
Reiko
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Reiko Füting
Affiliation
Advisory Committee
Role
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outside member
Name
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Rutgers University
Role
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(authority = RULIB)
degree grantor
Name
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NamePart
Graduate School - New Brunswick
Role
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school
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Text
Genre
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theses
OriginInfo
DateCreated
(qualifier = exact)
2012
DateOther
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(type = degree)
2012-05
CopyrightDate
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2012
Place
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(type = code)
xx
Language
LanguageTerm
(authority = ISO639-2b);
(type = code)
eng
Abstract
(type = abstract)
The perception of structure in music is frequently based upon a theoretical understanding of the musical elements. This basis tends toward stylized analysis of a specific element of the music, for instance, pitch, form, rhythm, et cetera, with the goal of revealing the tendencies or development of this element throughout the piece. Not frequently discussed is the function and significance of stasis in perceiving the structure of music. A “moment” of stasis, as Stockhausen called it, can alternatively be understood as a “state of existence.” A static section of music can give a sensation of inactivity often comprehended as a slowing of the music!s forward momentum, or temporality, as contrasted with more dynamic states. A musical state is reliant upon a particular treatment of its internal elements, incorporating varying degrees of limitation and change. Analysis of both dynamic and static states is considered in an endeavor to further understand the function of musical stasis in the structure of a composition.
Subject
(authority = RUETD)
Topic
Music
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TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier
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ETD
Identifier
ETD_3960
PhysicalDescription
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electronic resource
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application/pdf
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text/xml
Extent
ix, 234 p. : ill., music
Note
(type = degree)
Ph.D.
Note
(type = bibliography)
Includes bibliographical references
Note
(type = statement of responsibility)
by Craig Healey Woodward
Subject
(authority = ETD-LCSH)
Topic
Music--Philosophy and aesthetics
Subject
(authority = ETD-LCSH)
Topic
Musical analysis
Identifier
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http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065294
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TitleInfo
Title
Graduate School - New Brunswick Electronic Theses and Dissertations
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rucore19991600001
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NjNbRU
Identifier
(type = doi)
doi:10.7282/T3W9583T
Genre
(authority = ExL-Esploro)
ETD doctoral
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Rights
RightsDeclaration
(ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder
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Name
FamilyName
Woodward
GivenName
Craig
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime
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(qualifier = exact);
(point = start)
2012-04-18 23:34:05
AssociatedEntity
Name
Craig Woodward
Role
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Affiliation
Rutgers University. Graduate School - New Brunswick
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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Technical
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26622976
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26624000
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