This dissertation examines the role of performance in the constitution of activist community from the vantage point of the Anti-Privatisation Forum (APF), one of many social movements that emerged in the wake of South Africa’s democratic transition. The study begins with the premise that performance is integral to activism, constituting the very groundwork through which queries of justice occur. It updates historical scholarship on the complicated roles of anti-apartheid performances in South Africa, providing insight into shifting responses to challenges arising in the wake of democratic transition and the adoption of neoliberal economic policies. APF members actively adapted anti-apartheid songs and created new expressive forms to inform and comment on their struggles for access to water, electricity, housing, education and health facilities, the costs of which have been prohibitive due to their privatization. Based on 16 months of fieldwork involving participant-observation, interviews, and archival research, I investigated adaptations of anti-apartheid performances to changing social dynamics including changes in activists’ relationship with the state, articulation of gender issues, emerging class-consciousness, and intergenerational linkages. The project considers performance in its multiple dimensions, ranging from routine enactments that secure, sustain, or weaken political outcomes to more practiced creative expression. I show how routine negotiations and artistic displays shaped APF’s collective identity. Furthermore, through an integrative bodily approach to the study of political performances, I consider sensory experiences and their mediation, revealing how these experiences influenced the mobilization activities that activists pursued. Particularly in moments of creative expression, sensory experiences generated positive associations that made collective political struggle desirable. In contrast, however, sensory experience also yielded aversions: combativeness generated stress, eroded solidarity, and alienated many APF members. With consideration of these varied effects, the dissertation provides an expansive analysis of mobilization, emphasizing the role of performance in the conduct of politics.
Subject (authority = RUETD)
Topic
Anthropology
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_4901
PhysicalDescription
Form (authority = gmd)
electronic resource
InternetMediaType
application/pdf
InternetMediaType
text/xml
Extent
xiv, 274 p. : ill.
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Note (type = vita)
Includes vita
Note (type = statement of responsibility)
by Omotayo Tolulope Jolaosho
Subject (authority = lcsh/lcnaf)
Geographic
South Africa--Politics and government--20th century
Subject (authority = ETD-LCSH)
Topic
Political activists--South Africa
Subject (authority = ETD-LCSH)
Topic
Social movements--South Africa
Subject
Name (authority = LC-NAF)
NamePart (type = corporate)
Anti-Privatisation Forum (South Africa)--History
Subject (authority = ETD-LCSH)
Topic
Music--Performance
Subject (authority = ETD-LCSH)
Topic
Performance--Political aspects--South Africa
Subject (authority = ETD-LCSH)
Topic
Post-apartheid era
RelatedItem (type = host)
TitleInfo
Title
Graduate School - New Brunswick Electronic Theses and Dissertations
Identifier (type = local)
rucore19991600001
Location
PhysicalLocation (authority = marcorg); (displayLabel = Rutgers, The State University of New Jersey)
Rutgers University. Graduate School - New Brunswick
AssociatedObject
Type
License
Name
Author Agreement License
Detail
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