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A reflection on the sounds of color and light and room of colors

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TitleInfo
Title
A reflection on the sounds of color and light and room of colors
Name (type = personal)
NamePart (type = family)
Park
NamePart (type = given)
Yoon Kyung
NamePart (type = date)
1974-
DisplayForm
Yoon Kyung Park
Role
RoleTerm (authority = RULIB)
author
Name (type = personal)
NamePart (type = family)
Chenoweth
NamePart (type = given)
Gerald
DisplayForm
Gerald Chenoweth
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Advisory Committee
Role
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chair
Name (type = personal)
NamePart (type = family)
Chrisman
NamePart (type = given)
Richard
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Richard Chrisman
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Advisory Committee
Role
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internal member
Name (type = personal)
NamePart (type = family)
Fussell
NamePart (type = given)
Charles
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Charles Fussell
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Advisory Committee
Role
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internal member
Name (type = personal)
NamePart (type = family)
Andreacchi
NamePart (type = given)
Peter
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Peter Andreacchi
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
outside member
Name (type = corporate)
NamePart
Rutgers University
Role
RoleTerm (authority = RULIB)
degree grantor
Name (type = corporate)
NamePart
Graduate School - New Brunswick
Role
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school
TypeOfResource
Text
Genre (authority = marcgt)
theses
OriginInfo
DateCreated (qualifier = exact)
2014
DateOther (qualifier = exact); (type = degree)
2014-10
CopyrightDate (encoding = w3cdtf)
2014
Place
PlaceTerm (type = code)
xx
Language
LanguageTerm (authority = ISO639-2b); (type = code)
eng
Abstract (type = abstract)
There have been many compositional attempts to correlate color with music since the end of 19th century. These idiosyncratic attempts ranged from simple artistic metaphor as a compositional process to a phenomenon of involuntary experiences known as synesthesia. Alexander Scriabin added “clavier à lumières” (keyboard with lights) to his orchestral piece Prometheus: The Poem of Fire, Op. 60 (1910) to present his vision of color-music correspondence. Olivier Messiaen applied his synesthetic ability through color chords based on his modes of limited transposition in Couleurs de la cité céleste (Colors of the Celestial City, 1963). Unsuk Chin, a Korean composer widely acclaimed in Europe, expressed the characters of light in Rocaná (Room of Light, 2008) by exploring the different sound effects of each instrumental group. Following an introduction to synesthesia, including the criteria for identifying the phenomenon and a discussion of synesthetic composers, these three works, and my composition “Room of Colors” for orchestra (2012), will be examined as illustrations of the inclusion of color and light in compositional processes.
Subject (authority = RUETD)
Topic
Music
Subject (authority = ETD-LCSH)
Topic
Synesthesia
Subject (authority = ETD-LCSH)
Topic
Composers
Subject (authority = ETD-LCSH)
Topic
Senses and sensation
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_5952
PhysicalDescription
Form (authority = gmd)
electronic resource
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application/pdf
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text/xml
Extent
1 online resource (vii, 100 p. : ill.)
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Note (type = statement of responsibility)
by Yoon Kyung Park
RelatedItem (type = host)
TitleInfo
Title
Graduate School - New Brunswick Electronic Theses and Dissertations
Identifier (type = local)
rucore19991600001
Location
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NjNbRU
Identifier (type = doi)
doi:10.7282/T3474B80
Genre (authority = ExL-Esploro)
ETD doctoral
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Rights

RightsDeclaration (ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Park
GivenName
Yoon Kyung
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2014-09-29 19:43:52
AssociatedEntity
Name
Yoon Kyung Park
Role
Copyright holder
Affiliation
Rutgers University. Graduate School - New Brunswick
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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Technical

RULTechMD (ID = TECHNICAL1)
ContentModel
ETD
OperatingSystem (VERSION = 5.1)
windows xp
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