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Maximizing intelligibility of english language text setting and Heaven's Gate

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TitleInfo
Title
Maximizing intelligibility of english language text setting and Heaven's Gate
Name (type = personal)
NamePart (type = family)
Wolfson
NamePart (type = given)
David
NamePart (type = date)
1964-
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David Wolfson
Role
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author
Name (type = personal)
NamePart (type = family)
Rao
NamePart (type = given)
Nancy
DisplayForm
Nancy Rao
Affiliation
Advisory Committee
Role
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chair
Name (type = personal)
NamePart (type = family)
Aldridge
NamePart (type = given)
Robert
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Robert Aldridge
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Advisory Committee
Role
RoleTerm (authority = RULIB)
internal member
Name (type = personal)
NamePart (type = family)
Kemper
NamePart (type = given)
Steven
DisplayForm
Steven Kemper
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
internal member
Name (type = personal)
NamePart (type = family)
Rosenhaus
NamePart (type = given)
Steven
DisplayForm
Steven Rosenhaus
Affiliation
Advisory Committee
Role
RoleTerm (authority = RULIB)
outside member
Name (type = corporate)
NamePart
Rutgers University
Role
RoleTerm (authority = RULIB)
degree grantor
Name (type = corporate)
NamePart
School of Graduate Studies
Role
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school
TypeOfResource
Text
Genre (authority = marcgt)
theses
OriginInfo
DateCreated (qualifier = exact)
2018
DateOther (qualifier = exact); (type = degree)
2018-01
CopyrightDate (encoding = w3cdtf); (qualifier = exact)
2018
Place
PlaceTerm (type = code)
xx
Language
LanguageTerm (authority = ISO639-2b); (type = code)
eng
Abstract (type = abstract)
Is there anything a composer can do to maximize the chances that a setting of English text for the classically trained voice can be understood by audiences? Intelligibility can be a problem for composers of English-language opera and art songs, despite the best efforts of their singers. The existing literature from composers and composition teachers on the subject of maximizing intelligibility is negligible. I draw on recent research by Lauren Collister and David Huron, as well as Nicole Scotto di Carlo (among others), who are beginning to shed some light on the ways in which song is heard differently than speech, on what aspects of classical singing can obscure listener comprehension, and on some specific ways in which different aspects of text setting can affect the text’s intelligibility, and take an interdisciplinary approach to extending their work, introducing relevant ideas and results from the fields of phonetics and psycholinguistics to interrogate compositional practices. I suggest that these and other investigations point toward the possibility of a more comprehensive analytical toolkit for composers, singers, analysts, and others interested in the intelligibility of classically trained singers.
Subject (authority = RUETD)
Topic
Music
RelatedItem (type = host)
TitleInfo
Title
Rutgers University Electronic Theses and Dissertations
Identifier (type = RULIB)
ETD
Identifier
ETD_8538
PhysicalDescription
Form (authority = gmd)
electronic resource
InternetMediaType
application/pdf
InternetMediaType
text/xml
Extent
1 online resource (viii, 278 p. : ill.)
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Subject (authority = ETD-LCSH)
Topic
Speech, Intelligibility of
Note (type = statement of responsibility)
by David Wolfson
RelatedItem (type = host)
TitleInfo
Title
School of Graduate Studies Electronic Theses and Dissertations
Identifier (type = local)
rucore10001600001
Location
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NjNbRU
Identifier (type = doi)
doi:10.7282/T31R6TR2
Genre (authority = ExL-Esploro)
ETD doctoral
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Rights

RightsDeclaration (ID = rulibRdec0006)
The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Wolfson
GivenName
David
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2017-11-16 11:11:49
AssociatedEntity
Name
David Wolfson
Role
Copyright holder
Affiliation
Rutgers University. School of Graduate Studies
AssociatedObject
Type
License
Name
Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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Technical

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ETD
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windows xp
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2017-11-16T15:57:23
DateCreated (point = end); (encoding = w3cdtf); (qualifier = exact)
2017-11-16T15:57:23
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