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An analytical study of Dies irae sequences by Schnittke, Penderecki, and Han

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Title
An analytical study of Dies irae sequences by Schnittke, Penderecki, and Han
Name (type = personal)
NamePart (type = family)
Han
NamePart (type = given)
Jihee
NamePart (type = date)
1983-
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Jihee Han
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RoleTerm (authority = RULIB)
author
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Kemper
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Steven
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Steven Kemper
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Advisory Committee
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chair
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Christopher
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Christopher Doll
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Advisory Committee
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internal member
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Sauceda
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Jonathan
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Jonathan Sauceda
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Advisory Committee
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internal member
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Cuckson
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Robert
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Robert Cuckson
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Advisory Committee
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outside member
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Rutgers University
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degree grantor
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School of Graduate Studies
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school
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Text
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theses
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2020
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2020-05
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2020
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English
Abstract (type = abstract)
The poem Dies irae, written in the thirteenth century and commonly part of the requiem mass, has been a source for many composers ever since, including several composers from the 20th and 21st centuries. This dissertation presents an analysis of musical features of two Dies irae sequences from the twentieth century: Alfred Schnittke’s Requiem (1971) and Penderecki’s Polish Requiem (1980-84), as well as my own composition, Dies irae for Chorus and Orchestra (2012-14).

Introduction states a brief history of the music set to the Dies irae text, whether a part of a requiem or an independent piece. Since the Dies irae sequence is part of requiem mass, I also present some general features of requiem music. Chapter one examines the Dies irae sequence from Schnittke’s Requiem. I explore Schnittke’s use of multiple motives, the harmonic structure, as well as monophonic, homophonic, and polyphonic textures. Chapter two investigates the Dies irae sequence from Penderecki’s Polish Requiem, including his use of motives, harmonic structures, and textures. Chapter three introduces my own choral-orchestral piece, Dies irae (2012-14). I introduce the motives and their variations, harmonic materials, and textures. I also present the personal interpretation of the texts and their relationship with harmonic language and textures.
Subject (authority = LCSH)
Topic
Dies irae (Music)
Subject (authority = RUETD)
Topic
Music
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Rutgers University Electronic Theses and Dissertations
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ETD_10752
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application/pdf
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Extent
1 online resource (xii, 116 pages) : illustrations
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
Subject
Name (authority = LCNAF)
NamePart (type = personal)
Schnittke, Alfred, 1934-1998 -- Requiem
Subject
Name (authority = LCNAF)
NamePart
Penderecki, Krzysztof, 1933-2020 -- Polish Requiem
Subject
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Han, Jihee -- Dies irae for chorus and orchestra
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Title
School of Graduate Studies Electronic Theses and Dissertations
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rucore10001600001
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NjNbRU
Identifier (type = doi)
doi:10.7282/t3-3pzp-kx90
Genre (authority = ExL-Esploro)
ETD doctoral
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The author owns the copyright to this work.
RightsHolder (type = personal)
Name
FamilyName
Han
GivenName
Jihee
Role
Copyright Holder
RightsEvent
Type
Permission or license
DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2020-04-15 19:57:05
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Name
Jihee Han
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Affiliation
Rutgers University. School of Graduate Studies
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Author Agreement License
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I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
Copyright
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Copyright protected
Availability
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Open
Reason
Permission or license
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