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Sex-positive Black feminism: a literary tradition, 1967-1988

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TitleInfo
Title
Sex-positive Black feminism: a literary tradition, 1967-1988
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Naomi
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Naomi Extra
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author
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Feldstein
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Ruth
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Ruth Feldstein
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Advisory Committee
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chair
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Strub
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Whitney
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Whitney Strub
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member
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Edmondson
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Belinda
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Belinda Edmondson
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Advisory Committee
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member
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Cooper
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Brittney
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Brittney Cooper
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Advisory Committee
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member
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Rutgers University
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degree grantor
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Graduate School - Newark
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theses
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2021
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2021-10
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2021
Language
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English
Abstract (type = abstract)
Traditionally, the history of sex-positive feminism has been traced back to white feminists of the late 1970s and 80s such as Susie Bright, Betty Dodson, Ellen Willis, and Gayle Rubin. The discourse on black women that does exist often locates sex-positive expression in the 1990s and the decades after. Sex-Positive Black Feminism: A Literary Tradition explores the long history of sex-positive black feminism through the work of three under explored black feminist writers during the period of 1968-1988—Red Jordan Arobateau, SDiane Bogus, and Ann Allen Shockley. I argue that the work produced by each of these writers has not fit neatly into the black feminist theoretical archive or literary tradition and challenges notions of black literary respectability. To this end, I propose a reading practice that emphasizes effort which, I argue, makes sexual possibility more legible in black feminist literature.

This dissertation also seeks to make a critical intervention in the history of pro-sex feminism in the 1970s and 80s and, to a lesser extent, black feminist engagement with black power ideology. While black women did not have a strong organized presence in the pro-sex (also referred to as sex-positive) movement, I argue that we can locate black women’s engagement with the movement in less organized activities and forms of expression such as fiction and poetry. Although there have been critical studies on black female sexual agency and subjectivity in the areas of music, popular culture, and pornography, few have been done on literature. While this project builds on a growing body of scholarship on black women’s sexuality, it seeks to expand the types of sources we turn to when we think about black women and sex.

Ultimately, as recovery project this dissertation seeks to amplify a virtually unknown body of literature written by black feminists and also affirm the communities with which it resonated. Through this project, I seek to reframe the ways in which we read black feminist literature and think about black women’s pleasure historically.
Subject (authority = RUETD)
Topic
African American studies
Subject (authority = RUETD)
Topic
LGBTQ studies
Subject (authority = RUETD)
Topic
Women's studies
Subject (authority = LCSH)
Topic
African American feminists
Subject (authority = LCSH)
Topic
Feminism
Subject (authority = LCSH)
Topic
Women, Black
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Rutgers University Electronic Theses and Dissertations
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http://dissertations.umi.com/gsn.newark.rutgers:10091
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application/pdf
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text/xml
Extent
1 online resource (viii, 158 pages) : illustrations
Note (type = degree)
Ph.D.
Note (type = bibliography)
Includes bibliographical references
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Graduate School - Newark Electronic Theses and Dissertations
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rucore10002600001
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Identifier (type = doi)
doi:10.7282/t3-g891-nh53
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Rights

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The author owns the copyright to this work.
RightsHolder (type = personal)
Name
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Extra
GivenName
Naomi
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Type
Permission or license
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2021-12-07T10:35:52
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Name
Naomi Extra
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Affiliation
Rutgers University. Graduate School - Newark
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Type
License
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Author Agreement License
Detail
I hereby grant to the Rutgers University Libraries and to my school the non-exclusive right to archive, reproduce and distribute my thesis or dissertation, in whole or in part, and/or my abstract, in whole or in part, in and from an electronic format, subject to the release date subsequently stipulated in this submittal form and approved by my school. I represent and stipulate that the thesis or dissertation and its abstract are my original work, that they do not infringe or violate any rights of others, and that I make these grants as the sole owner of the rights to my thesis or dissertation and its abstract. I represent that I have obtained written permissions, when necessary, from the owner(s) of each third party copyrighted matter to be included in my thesis or dissertation and will supply copies of such upon request by my school. I acknowledge that RU ETD and my school will not distribute my thesis or dissertation or its abstract if, in their reasonable judgment, they believe all such rights have not been secured. I acknowledge that I retain ownership rights to the copyright of my work. I also retain the right to use all or part of this thesis or dissertation in future works, such as articles or books.
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DateTime (encoding = w3cdtf); (qualifier = exact); (point = start)
2021-12-07
DateTime (encoding = w3cdtf); (qualifier = exact); (point = end)
2022-12-03
Type
Embargo
Detail
Access to this PDF has been restricted at the author's request. It will be publicly available after December 3, 2022
Copyright
Status
Copyright protected
Availability
Status
Open
Reason
Permission or license
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